By Wilde Becker. Speaker Stands. At Wednesday, July 24th 2019, 02:52:06 AM.
The theory is that the mass and spring characteristics are chosen so that the resonant frequency of the combination is well below that of any frequency they’re likely to be asked to isolate. For example, if the lowest note a speaker can reproduce is 30Hz, then the resonant frequency of the supporting platform needs to be well below that — perhaps just a few Hertz or less.
The heavier the stand, the less it will move, and with many hi–fi and pro–audio speaker stands (including many of the models made by Atacama, for example), it’s possible to fill the hollow support column with a heavy material to add mass and to damp resonances. This could be sand, shot or any other heavy but well–damped material.
You could just plonk your speaker onto the top of your chosen stand, of course, but it’s best to have the speaker fixed to the stand in some way, because otherwise it can slide around. One popular and effective method is to place blobs of Blu–Tack under each corner; this acts as both a removable adhesive and as a damping medium. Another alternative is to use high–friction rubber matting, of the type sold for workshops and kitchens.